For years, guitarists have sought that "magic" sound, that elusively perfect blend of distortion, sustain and cutting power, usually found only at a volume too loud for club and studio work. Distortion boxes, master volume controls, and "hot" pickups all have been touted as the instant solution to this problem, but each in turn has proved to be too hard to control, too expensive to afford, or simply "not the sound." |
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